Tuesday, March 10, 2009


So, I’m writing this to talk about music. I know, I know I still haven’t posted anything legitimate and readable about games, but don’t worry when it comes it’ll be good. Back to the pressing issue, all the new and awesome music that has been released so far this year. Now, I’m a guy with eclectic tastes and flavor’s( wait…) but the amount of crap as opposed to good stuff to come out it fairly small compared to last year. So here are just a few that I am personally really enjoying:
1. Lily Allen- It’s Not Me, It’s You
Her follow up to her awesome debut, Alright, Still, had me apprehensive. Would it be a rehash of her old work, or would it be a super pop-y new concoction? Turns out, it was different from the original, dance/pop-y was present but it wasn’t overdone, and it was fantastic (93). It was a, very, frank look at the emotions she’s been experiencing over the last few years and what she see’s society has become. The songs are still comically pleasing, like my personal favorite “Not fair,” which is about a secure relationship the isn’t… Ahem, “performing.” The Album is as a whole a great projection of ideals, that shouldn’t be missed, because of its social context, as well as how cute she is, in my humble opinion.
2. Justice- A Cross the Universe
So in 2007, these French Dudes released an album called Cross( the symbol). The tracks were all really good, on their own, but as an album it was a journey. Early on this year these dudes released a live album, A Cross the Universe, and it will blow minds (87). It took great electronica tracks that were well done in the studio, brought them into a live environments and did something really amazing with how the sound… Exploded in your ear. This is the elecrtonica fans must-have album; it’s up there with Alive 2007 and well… I can’t remember right now but really good live records.
3. Animal Collective- Merriweather Post Pavilion
Okay, it should be said right off the bat, Animal Collective are not my cup of tea. They are abrasive, hard to meld with and all around weird. With that said, I haven’t disliked any of their records, but Merriweather Post Pavilion is the exception… I really liked it (91), The album is a odd blend of repeated tunes that frankly shouldn’t work sonically, but somehow become these great sounding tracks, with cryptic lyrics, for which the titles have no bearing. It’s a great, indie/electronic/folk/rock record because its so, bat shit.
4. The Lonely Island- Incredibad
I put this record here for one reason, it made me laugh. Not since, Tenacious D, has a disjointed buddy adventure comedy/ rap album has made me feel good about just listening to the lyrics, and sometimes just giggling at the, “cunt-hole, Steve.” It was a little imbalanced with the quality of the songs but the individual tracks were better then the album as a whole, Really funny though.
5. P.O.S.- Never Better
Wow, I haven’t talked about rap yet, Lonely Islands don’t count. This album is seriously something most people will overlook but… Damn. This is one of the most lyrically and sonically progressive album I’ve heard all year, so far. I didn’t get a chance to give It a score, mainly because I got it like 4 hours ago, but I already listened to it 3 times. This might be playing on my iPod for a very long time.
That’s it for now Kids. I’ll drop some more suggestions in the near future. But I’ll leave you with a few more albums, minus my thoughts:
U2- No Line on the Horizon
K’naan- Troubadour
Joe Budden- The Padded Room
Bon Iver- Blood Bank EP

Saturday, March 7, 2009

Watchmen Impressions... And Penis'!

Watchmen, just the name conjures up the ideas of War, Love, and Blue Penis’? Yes, Watchmen, the film adaptation of the Alan Moore’s tour de force graphic novel, has finally come the big screen, and it’s…Good.
No, I did not have an proverbial “nerdgasm” while watching the movie, mainly because it was so enthusiastically an action movie, before the gritty crime drama and philosophical tale that the original graphic novel was. It took scenes of symbolism and turned them into either aphrodisiacs or just straight up action sequences. That is what frustrated me as a person who took the graphic novel and brought it close to the heart. The other issues though are unforgivable as a far as movies go.
The main issue with it as a movie, it was disjointed as hell. The characters had no context for their actions, why was there a Silke Spectre II or Nite Owl II? What was the point of putting Hollis Mason in the final cut if our not going to eventually do something with him? The whole resolution sequence of the movie has no context, as far as how the story is supposed to be progressing. The first few shots give away who the antagonist is, as well as his voice. What the hell is with the penis shots?
The things I did like though were the representation of the city, what is was and who the characters are to it. It was brutal as hell, adding to the whole “Snyder style”, sort of worked with the fight sequences. The man, who played Rorschach, was fantastic, except for the end sequence where he got a bit emotional. The story, to a point is fantastically faithful, to the source material. Finally it was all in all, enjoyable. Especially in IMAX, for which you really want to get there early for the good seats. It was stellar-ly shot, hopefully all in 60mm HD, but I doubt it considering it got a bit grainy at points.
In the end this turned out to be an good action movie that needs to be put into context. The characters were undeveloped due to time constraints. The action and special effects were great, but would have been better suited for the full HD treatment, especially Dr. Manhattan’s penis, which stole the show.

Thursday, March 5, 2009

Non- gaming, kinda the usual i guess.

This is a blog post!
Who am I kidding; this is as much a blog post as it is a written profession of how much of an idiot I might be. Either way, I sit here today( in political science) to talk about what I think of what journalism has become. I am probably the wrong person to speak about something like this, mainly cause I am impossible to take seriously. With all the bullshit that I’ve gone through in the last few months I use this blog just to vent, on my Macbook pro, with the missing “J” key. Regardless, of this fact I feel it is important for the next generation of, “dudes who write and talk,” to discuss the ramification of commercialization of journalism as a whole.

Rupert Murdoc comes to mind when discussing the concept of commercialization. The CEO of the Fox enterprises, it doesn’t seem shocking that a super conservative news organization is run by a dude who’s got like six satellites. The man controls so much of whatever comes out of his network that the word objectivity has become somewhat of a joke to this whole concept. I mean, the whole New York post editorial cartoon brings up the perfect form of conservatism and divergence from objectivity. Specifically for the cartoon however I call, Shenanigans. How something like that could possible get past the copy desk, if one exists? The fact that I can concretely see that a copy desk was non-existent might raise some questions as to where it is headed.
I want to comment on the other side of the stick ( huh? Stick). The “liberal Mass media,” are responsible for the dumb-ing down of the society, with the fluff piece that will encompass 5 minutes of a 35-minute news report. They show people the news and what has occurred but at the same time they try to find who is to blame or who was in the wronged party, a perfect example of this, the New York Post editorial cartoon. The media instantaneously latched on to the fact that it was FOX enterprises that was responsible for this mishap. Now, in no way am I denying the fact that it was them who were at fault, but pining for vengeance? That just seems mean spirited and improper, especially if it wasn’t them that figured out that the article had shown up, in that mornings paper, it took riots to get them to show up. Sensationalism, this seems to rule the liberal mass media that seems to be the issue along with perceived baises that seem to engrain themselves into our everyday lives.
The things that I want to talk about tis the governements role in all of this. Where are they? Are they just the being that the news focuses on in their coverage, or are they part of the problem? They control what comes out of the world and they run a great share of thought that flows through our daily lives. So what are they doing to promote journalism to improve them? Certainly not letting it stay objective, because if it was doing that, then we would have a lot more young people in politics, For the sole fact that they don’t have this fear of constant elder statesmen influence. If critique was something readily taken seriously in an objective society we wouldn’t be able to have the idiotic society we currently live in. It would show the government what its doing wrong, but what difference would that make to a bunch of old people who tend not to know, current events as much as they know the events of 1963.
The way in which I think everything could get better: subsidies for writers who’s only goal is to be objective and critical of what is going on in the world. The critique shouldn’t revolve around the government as a whole but towards individual politicians. By looking at they’re campaign contributions as well as pedigree we might, just might, be able to understand where their decisions come from, from their asses or from their wallets, the former being more acceptable then the latter.

Wow, that war certainly a ramble that I didn’t expect to go on this long. I didn’t even talk about my life (success!). For most I didn’t talk about games and how I play them. I know, I know… I still haven’t published any reviews, but there is a good reason I haven’t… which I won’t divulge in here. Because it would go on for far too long.
Will write again soon... hopefully